Vfrdtyky

Takashi Miike
Miike at the 2011 Cannes Film Festival
Native name	三池 崇史
Born	(1960-08-24) August 24, 1960 (age 58) Yao, Osaka, Japan
Occupation	Actor, director, producer, writer
Years active	1991–present

Takashi Miike (三池 崇史, Miike Takashi, born August 24, 1960) is a Japanese filmmaker. He has directed over one hundred theatrical, video and television productions since his debut in 1991. His films range from violent and bizarre to dramatic and family-friendly.

Biography

Early life

Miike was born to Korean parents in Yao, Osaka, Japan, an area inhabited by the poor working class immigrants from the Korean Peninsula. His family originally emigrated to Kumamoto Prefecture. During World War II, his grandfather was stationed in China and Korea, and his father was born in Seoul in today's South Korea. His father worked as a welder and his mother as seamstress.^[1] Although he claimed to have attended classes only rarely, he graduated from Yokohama Vocational School of Broadcast and Film (Yokohama Hōsō Eiga Senmon Gakkō) under the guidance of renowned filmmaker Shohei Imamura, the founder and Dean of that institution.^[2]

Career

Miike's first films were television productions, but he also began directing several direct-to-video V-Cinema releases. Miike still directs V-Cinema productions intermittently due to the creative freedom afforded by the less stringent censorship of the medium and the riskier content that the producers will allow.

Miike's theatrical debut was the film The Third Gangster (Daisan no gokudō).^[3] However, it was Shinjuku Triad Society (1995) that was the first of his theatrical releases to gain public attention. The film showcased his extreme style and his recurring themes, and its success gave him the freedom to work on higher-budgeted pictures. Shinjuku Triad Society is also the first film in what is labeled his "Black Society Trilogy", which also includes Rainy Dog (1997) and Ley Lines (1999). He gained international fame in 2000 when his romantic horror film Audition (1999), his violent yakuza epic Dead or Alive (1999), and his controversial adaptation of the manga Ichi the Killer played at international film festivals. He has since gained a strong cult following in the West that is growing with the increase in DVD releases of his works. His film Hara-Kiri: Death of a Samurai premiered In Competition at the 2011 Cannes Film Festival.^[4] His 2013 film Straw Shield was nominated for the Palme d'Or at the 2013 Cannes Film Festival.^[5]

Themes of his work

Miike achieved notoriety for depicting shocking scenes of extreme violence and sexual perversions. Many of his films contain graphic and lurid bloodshed, often portrayed in an over-the-top, cartoonish manner. Much of his work depicts the activities of criminals (especially yakuza) or concern themselves with gaijin, non-Japanese or foreigners living in Japan. He is known for his dark sense of humor and for pushing the boundaries of censorship as far as they will go.

Despite his notorious reputation, Miike has directed film in a range of genres. He has created lighthearted children's films (Zebraman, The Great Yokai War), period pieces (Sabu), a road movie (The Bird People in China), a teen drama (Andoromedeia), a farcical musical-comedy-horror (The Happiness of the Katakuris), and video game adaptations (Like a Dragon, Ace Attorney). Other less controversial works include Ley Lines and Agitator, which are character-driven crime dramas.

While Miike often creates films that are less accessible and target arthouse audiences and fans of extreme cinema, such as Izo and the "Box" segment in Three... Extremes, he has created several mainstream and commercial titles such as the horror film One Missed Call and the fantasy drama The Great Yokai War.

Miike has cited Starship Troopers as his favorite film.^[6] He expressed admiration for directors Akira Kurosawa,^[7]Hideo Gosha,^[7][8]David Lynch,^[9]David Cronenberg,^[9] and Paul Verhoeven.^[9]

Controversies

One of his most controversial films was the ultra-violent Ichi the Killer (2001), adapted from a manga of the same name and starring Tadanobu Asano as a sadomasochistic yakuza enforcer. The extreme violence was initially exploited to promote the film: during its international premiere at the Toronto International Film Festival in 2001, the audience received "barf bags" emblazoned with the film's logo as a promotional gimmick^[10].

The British Board of Film Classification refused to allow the release of the film uncut in Britain, citing its extreme levels of sexual violence towards women. In Hong Kong, 15 minutes of footage were cut. In the United States it has been shown uncut (unrated). An uncut DVD was also released in the Benelux.

In 2005, Miike was invited to direct an episode of the Masters of Horror anthology series. The series, featuring episodes by a range of established horror directors such as John Carpenter, Tobe Hooper and Dario Argento, was supposed to provide directors with relative creative freedom and relaxed restrictions on violent and sexual content (some violent content was edited from the Dario Argento-directed episode "Jenifer"). However, when the Showtime cable network acquired the rights to the series, the Miike-directed episode "Imprint" was deemed too disturbing for the network. Showtime cancelled it from the broadcast lineup even after extended negotiations, though it was retained as part of the series' DVD release. Mick Garris, creator and executive producer of the series, described the episode as "amazing, but hard even for me to watch... definitely the most disturbing film I've ever seen".^[11]

While "Imprint" has yet to air in the United States, it has aired on Bravo in the UK, on FX in Mexico, South and Central America, the Dominican Republic, France, Israel, Turkey, on Nelonen in Finland and on Rai Tre in Italy. Anchor Bay Entertainment, which has handled the DVD releases for the Masters of Horror series in the US, released "Imprint" on R1 DVD on September 26, 2006.

Filmography

As director

As actor

• 
  Agitator (2001), as Shinozaki


• 
  Graveyard of Honor (2001), as Restaurant gunman


• 
  Ichi the Killer: Episode 0 (2002), Kakihara (voice)


• 
  Last Life in the Universe (2003), as Yakuza


• 
  Neighbour No. 13 (2005), as Kaneda


• 
  Hostel (2006), as Miike Takashi


• 
  Dōbutsu no Mori (2006), as Rokusuke/Pascal (voice)


• 
  Tenchijin (2009), as Hyogo Kariyasu


• 
  No More Heroes 2: Desperate Struggle (2010), as himself, a friend of Bishop (voice)

As producer

• 
  The Making of 'Gemini' (2000)


• 
  Ryu ga Gotoku (2006)

Other work

In 2005 Takashi Miike directed a Kabuki style stage-play titled Demon Pond. The DVD recording of this has been released by Cinema Epoch.^[13][14]

References

Further reading

• Mes, Tom. Agitator: The Cinema of Takashi Miike. Godalming: FAB Press, 2003.
  ISBN 1-903254-21-3
  


• Williams, Tony. "Takashi Miike's Cinema of Outrage." cineACTION 64 (2004): 54-62


• "Izo: Takashi Miike's History Lesson." Asian Cinema 16.2 (2005): 85-109.


• Gerow, Aaron. "The Homelessness of Style and the Problems of Studying Miike Takashi." Canadian Journal of Film Studies 18.1 (2009): 24-43


• 
  Black, Art (2003). "Takashi Miike Revisited". Asian Cult Cinema. 38 (1st Quarter): 12–17.
  

External links

• 
  Takashi Miike on IMDb


• Suicide is for the Birds: Takashi Miike's Tales of De-territorializing Flight at Fantasia 2003 and Beyond


• 2002 Interview at the Brussels International Festival of Fantastic Film


• SuicideGirls interview with Miike by Daniel Robert Epstein


• 
  Takashi Miike at the Japanese Movie Database (in Japanese)
  


• Interview with Takashi Miike by Mark Schilling


• Interview on midnighteye.com


• Interview with Miike regarding his Yakuza work on 1UP.com


• https://web.archive.org/web/20060508104916/http://www.pulp-mag.com/archives/6.01/film.shtml


• https://web.archive.org/web/20060508105742/http://www.pulp-mag.com/archives/5.07/feature_miike_interview.shtml


• https://web.archive.org/web/20060508105746/http://www.pulp-mag.com/archives/5.07/feature_miike.shtml


• https://web.archive.org/web/20060508103046/http://www.pulp-mag.com/archives/6.08/film.shtml