Doomsday (Doctor Who)
| 177b – "Doomsday" | |||
|---|---|---|---|
Doctor Who episode | |||
 The Daleks, the Cybermen and Torchwood battle in Canary Wharf, in the first Dalek–Cyberman encounter and conflict, 43 years after the show's premiere. | |||
| Cast | |||
Doctor
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Companion
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Others
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| Production | |||
| Directed by | Graeme Harper | ||
| Written by | Russell T Davies | ||
| Script editor | Helen Raynor | ||
| Produced by | Phil Collinson | ||
| Executive producer(s) | Russell T Davies Julie Gardner | ||
| Incidental music composer | Murray Gold | ||
| Series | Series 2 | ||
| Length | 2nd of 2-part story, 45 minutes | ||
| First broadcast | 8 July 2006 (2006-07-08) | ||
| Chronology | |||
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"Doomsday" is the thirteenth and final episode in the second series of the revival of the British science fiction television programme Doctor Who. It was first broadcast on 8 July 2006 and is the conclusion of a two-part story; the first part, "Army of Ghosts", was broadcast on 1 July 2006. The two-part story features the Daleks, presumed extinct after the events of the 2005 series' finale, and the Cybermen, who appeared in a parallel universe in the 2006 episodes "Rise of the Cybermen" and "The Age of Steel". Both species unexpectedly arrive on Earth at the conclusion of "Army of Ghosts".
The concept of the Daleks and the Cybermen both appearing on-screen was first proposed in 1967, but was vetoed by Terry Nation, the creator of the Daleks. The episode is the first conflict between the two species in Doctor Who's 55-year history, and features Billie Piper's last appearance in the lead companion role as Rose Tyler; the final regular appearance of Noel Clarke as Rose's ex-boyfriend and previous companion Mickey Smith; and the final regular appearances of Camille Coduri and Shaun Dingwall as Rose's parents, Jackie and Pete Tyler. The episode and its predecessor were filmed between November 2005 and January 2006, alongside the episodes "Rise of the Cybermen" and "The Age of Steel".
Set mainly in the One Canada Square skyscraper in Canary Wharf, the episode's plot consists mostly of the Daleks and Cybermen waging a global war, with humanity on the verge of extinction in the cataclysm. The Tenth Doctor (David Tennant), the Tyler family, and Mickey Smith fight for their lives trying to reverse the situation. They are successful, but at an emotional cost to the Doctor and Rose, as they are left in separate universes.
The episode is one of the most popular Doctor Who episodes since the show's revival. It was nominated, along with "Army of Ghosts", for the 2007 Hugo Award for Best Dramatic Presentation, Short Form; the award was won by the fourth episode in the series, "The Girl in the Fireplace". It shared the revived series' highest Audience Appreciation rating of 89 with "The Parting of the Ways", "Silence in the Library", and "Forest of the Dead" until 28 June 2008—"The Stolen Earth" gained an AI rating of 91[1]—and is favoured by most critics for both the Dalek-Cyberman conflict and the farewell scene between the Doctor and Rose.
Contents
1 Plot
2 Production
2.1 Conception
2.2 Filming
2.3 Music
3 Broadcast, reception, and legacy
3.1 Broadcast and pre-airing media blackout
3.2 Critical reception and later release
4 References
5 External links
Plot
Four Daleks, accompanied by a device known as the "Genesis Ark", have emerged from the Void ship inside the Torchwood Institute's sphere chamber. The Cybermen who took control of Torchwood confront the Daleks, offering an alliance. The Daleks decline and kill two Cybermen, causing the Cyber Leader to declare war on the Daleks.
A strike team from the parallel universe takes the Doctor to meet with Pete Tyler. After hearing that the parallel Earth has started warming at an unprecedented rate following the opening of the breach between the two Earths, the Doctor theorises this is the start of the process that will lead to both planets falling into the Void.
In the sphere chamber, the Doctor realises that the four Daleks are the enigmatic Cult of Skaro, and brings the Cybermen in to attack. Mickey accidentally activates the Ark while escaping with the Doctor, Rose, and Pete. Dalek Sec takes the Ark outside. Pete saves Jackie from the Cybermen and the two embrace. The Doctor then takes everyone to the control room. Outside, the Ark — a prison ship — opens. Millions of Daleks pour out and begin killing humans and Cybermen on the ground.
The Doctor explains that if he opens the breach and reverses it, anyone who has travelled between the two separate worlds will be pulled in, including Rose, Mickey and Pete. The Doctor sends them along with Jackie to the parallel universe. Rose jumps back to help the Doctor. The Doctor and Rose open the breach and hang on to magnetic clamps as the Cybermen and Daleks are pulled in, but the Cult of Skaro escapes. Rose starts to fall towards the Void, but at the last second, Pete transports Rose back to the parallel universe as the breach is closed.
Some time later, Rose has a dream where she hears the Doctor's voice calling her. The Tylers follow the voice to a remote bay in Norway where a holographic image of the Doctor appears. He tells Rose he is using the energy of a supernova to transmit to her via one last small breach between universes. Rose breaks down in tears and tells the Doctor that she loves him; before the Doctor can finish his reply, the breach seals and the Doctor's image disappears. As he gets back to piloting the TARDIS, he notices a mysterious woman in a wedding dress standing inside.
Production
Conception
Doomsday featured the departure of Rose Tyler portrayed by Billie Piper (pictured) who made the decision to leave the role a year prior.
The concept of the Daleks and Cybermen appearing together on screen is not new; in December 1967, the BBC approached Terry Nation to have both races in a serial, but Nation vetoed this idea. The concept came to Davies while mapping out the 2006 series: the story would both serve to resurrect the popular Daleks and provide a suitable exit for Piper, who had decided to leave Doctor Who after two series.[2] "Doomsday" is the first episode in the history of Doctor Who where the Cybermen and the Daleks appear on-screen together; Cybermen and Daleks were both featured in The Five Doctors and "Army of Ghosts", but in separate scenes.[3][4]
The two-part finale was originally going to take place in Cardiff on the time rift, which was the focus of the episodes "The Unquiet Dead" and "Boom Town". When Torchwood was commissioned in 2005, Davies decided to base the spin-off in Cardiff and relocate "Army of Ghosts" and "Doomsday" to Canary Wharf in London.[2]
An item of discussion between the production staff was over who would rescue Rose; Davies and Julie Gardner wanted Pete to rescue her, while Clarke and Phil Collinson wanted Mickey. The role was ultimately given to Pete, to emphasise that he had accepted Rose as a surrogate daughter.[2] The Doctor's intended reply to Rose was also discussed; Davies, who left the reply unspecified, stated he didn't know when asked by Collinson on the episode's commentary track, and Gardner vehemently believed the Doctor would reciprocate Rose's love.[5]
Some elements of the story were inspired by Philip Pullman's His Dark Materials trilogy. Pullman was "flattered" by the references in the episode, and compared Davies' actions to his own practice of referencing works.[6]
Filming
Southerndown beach in Wales was used as the backdrop to the Doctor's farewell to Rose Tyler on Bad Wolf Bay.
To ensure that Clarke and Dingwall were available for filming, the story was filmed in the season's third production block with "Rise of the Cybermen" and "The Age of Steel". Filming for the story started on 2 November 2005 on location in Kennington, London, but did not become the primary focus of the production crew until 29 November, when filming began on the scenes in and around the sphere chamber. The scene of the Tylers driving through Norway was filmed at Bridgend on 6 December. Scenes in the lever room, the main setting for the story, were filmed on 12–15 December 2005 and 3–5 January 2006. Greenscreen work for Rose being sucked into the void took place on 13 January, and the skirmish between the military and Cybermen on the bridge was filmed on 15 January.[2]
Other location shooting took place at the Coal Exchange and Mount Stuart Square, Cardiff Bay.[7] The penultimate scene of the episode, the Doctor's farewell to Rose, was filmed on 16 January 2006; it was the last day of filming for Clarke and Dingwall. As with all scenes set at Bad Wolf Bay, these were in fact filmed at Southerndown beach in the Vale of Glamorgan.[8] Piper's last scene was Rose's reunion with the Doctor in "The Satan Pit" on 31 March,[9] but the shoot was rather emotional,[5] to the point there were several tears on set.[10] The last scene of "Doomsday", Catherine Tate's appearance in the TARDIS as Donna Noble (credited as "The Bride"), was filmed on 31 March during the wrap party. To ensure the secrecy of Rose's departure and Tate's appearance, only Piper and Tennant were given scripts of the departure scene, and director Graeme Harper was not informed of the final scene until the last possible second.[2]
Music
As well as using existing music, such as the themes for the Daleks, Cybermen, and Rose, Murray Gold specially composed a piece of music for Rose's farewell entitled "Doomsday", which featured vocal work from Melanie Pappenheim. Instead of using the swelling violins that Davies and the rest of the production team had expected, Gold took a minimalist approach. When pitching the track to the production team, Gold described the track as representing Rose's unbridled energy and determination as she searches for the Doctor. He later said, "I wanted to get that kind of throbbing, sort of hurt sound of quite emotional rock, because I thought that's what Rose would do if she was hurting and ran up to her bedroom and locked herself in her room and had a good old cry, really."[11] The piece uses the same vocal work from "Rose", when Rose first enters the TARDIS, thus creating a bookend effect.[11] It is a favourite among fans and of executive producer Julie Gardner,[5] and is one of the reasons, along with Pappenheim's overall contribution and the "Song for Ten" from "The Christmas Invasion", that the soundtrack of both series was released several months later.[12][13]
Broadcast, reception, and legacy
Broadcast and pre-airing media blackout
The Dalek Sec prop, on display at a Doctor Who exhibition.
To protect as much information concerning the episode as possible, the final scene of "Army of Ghosts" was withheld from all pre-screeners given to reviewers. The BBC website's Fear Forecasters, a panel who rate the episodes, were not allowed to see "Doomsday" before its airing,[14] and access to copies was restricted; the website thus does not have a Fear Forecast for the episode.[15] Despite this, the Dalek Sec prop, which had been previously unused in the series, had invaded the stage at the 2006 BAFTA Television Awards while the production team were collecting an award.[5] A similar moratorium would be placed on the following series' finale, "Last of the Time Lords".[16]
The episode's finalised average viewing figure was 8.22 million viewers and was, excepting World Cup games, the second most-watched television programme of the week, behind an episode of Coronation Street, and eighth most-watched overall. The companion episode of Doctor Who Confidential gained just over one million viewers, making it the second most watched programme on a non-terrestrial channel that week.[17] The ratings for the episode were higher than the following World Cup match between Germany and Portugal, which had a million fewer viewers.[18]
Critical reception and later release
"Doomsday" is one of the most popular episodes of the revived Doctor Who. It gained an audience Appreciation Index (AI) of 89, which was the highest figure for nearly two years—it was later surpassed by "The Stolen Earth", which had an AI of 91[1][19]—and is the first episode of Doctor Who to receive a perfect 10 rating on IGN,[20] who congratulated Davies on making an action-packed episode so emotional.[21]Television Without Pity gave the episode an A+ rating.[22]The Stage commented that the Dalek-Cybermen conflict was the "only thing worth watching" at the weekend, overshadowing even the World Cup Final, and that the parting scene was "beautifully written and movingly played," with "not a dry eye in the universe".[23] Dek Hogan of Digital Spy felt that the episode was "beautifully balanced and with moments of high excitement and touching poignancy" and that the single oil tear shed by the Cyberman version of Hartman was a "nice touch". He criticised Catherine Tate's appearance as being unnecessary to end the episode and for "breaking the mood".[24] Stephen Brook of The Guardian thought that the episode was "a highpoint of the modern series, highly emotional, scary and genuinely exciting", while Rose's departure was "brilliantly handled". He positively compared the episode's plot of a war between "the greatest monsters in the programme history" against the film Alien vs. Predator.[25]
After its initial airing, the episode was released on DVD, with "Fear Her" and "Army of Ghosts", on 25 September 2006.[26] It was first aired on CBC Television on 19 February 2007.[27] The story ("Army of Ghosts" and "Doomsday") was one of three from the second series of Doctor Who to be nominated for the 2007 Hugo Award for Best Dramatic Presentation, Short Form; the other stories nominated were "School Reunion" and "The Girl in the Fireplace",[28] the latter winning the award.[29]
In a poll by SFX, 90,000 readers voted the farewell scene between the Doctor and Rose at Bad Wolf Bay as the greatest Sci-fi moment ever.[30][31]
References
^ ab Hilton, Matt (30 June 2008). "The Stolen Earth – AI and Digital Ratings". Doctor Who News Page. Retrieved 30 June 2008..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ abcde Pixley, Andrew (August 2006). "Army of Ghosts/Doomsday". Doctor Who Magazine. Vol. The Doctor Who Companion: Series 2 no. Special Edition 14. Royal Tunbridge Wells: Panini Comics. pp. 92–101.
^ Terrance Dicks (writer), Peter Moffatt, John Nathan-Turner (uncredited) (directors), John Nathan-Turner (producer) (23 November 1983). The Five Doctors. Doctor Who. BBC. BBC1.
^ Russell T Davies (writer), Graeme Harper (director), Phil Collinson (producer) (1 July 2006). "Army of Ghosts". Doctor Who. Series 2. Episode 12. BBC. BBC One.
^ abcd Russell T Davies, Julie Gardner, Phil Collinson. Commentary for "Doomsday". BBC. Archived from the original (mp3) on 20 January 2007. Retrieved 30 October 2007.
^ "Would Pullman write for Dr Who?". Newsround. 7 December 2007. Retrieved 9 December 2007.
^
"Walesarts, Coal Exchange and Mount Stuart Square, Cardiff Bay". BBC. Retrieved 30 May 2010.
^
"Walesarts, Southerndown beach, Vale of Glamorgan". BBC. Retrieved 30 May 2010.
^ Pixley, Andrew (August 2006). "The Impossible Planet/The Satan Pit". Doctor Who Magazine. Vol. The Doctor Who Companion: Series 2 no. Special Edition 14. Royal Tunbridge Wells: Panini Comics. p. 77.
^ "Episode 13: Finale" (Embedded Flash object). Doctor Who Confidential. BBC. Retrieved 29 October 2007.
^ ab "Music and Monsters". Doctor Who Confidential. 25 December 2006. BBC. BBC One.
^ "Who soundtrack soon". BBC. 17 July 2006. Archived from the original on 17 March 2008. Retrieved 6 July 2011.
^ "Soundtrack details". BBC. 6 November 2006. Archived from the original on 2 February 2009. Retrieved 6 July 2011.
^ "Fear Forecast: "Army of Ghosts"". BBC Doctor Who website. BBC. Retrieved 25 February 2007.
^ "Fear Forecast". BBC. Retrieved 5 July 2011.
^ "What did Lizo think of Doctor Who?". CBBC. 18 June 2007. Retrieved 21 June 2007.
^ Lyon, Shaun (20 July 2006). "Doomsday Final Ratings, and Series Two Recap". Doctor Who News Page. Archived from the original on 16 February 2009.
^ Hoskyn, Jane. "World Cup streaming fails to score". The Register; TV Scoop.
^ Hilton, Matt (2 April 2007). "Smith and Jones AI figure". Doctor Who News Page. Retrieved 24 January 2008.
^ "Television reviews; Score: 10". IGN. 22 December 2006. Archived from the original on 13 July 2011. Retrieved 2 November 2007.
^ Haque, Ahsan (22 December 2006). "Doomsday review". IGN. Retrieved 2 November 2007.
^ Clifton, Jacob (31 December 2006). "Hold the Line With Me: Doomsday recap". Doctor Who reviews. Television Without Pity. Archived from the original on 21 April 2008. Retrieved 2 November 2007.
^ Venning, Harry (17 July 2006). "TV review". The Stage. Archived from the original on 20 February 2012. Retrieved 22 December 2007.
^ Hogan, Dek (9 July 2006). "Horses for Courses". Dek's TV Diary. Digital Spy. Retrieved 22 December 2007.
^ Brook, Stephen (10 July 2006). "Doctor Who: that was the year that was". Organgrinder. The Guardian. Retrieved 25 January 2008.
^ "Doctor Who: Series 2 Volume 5". BBC Shop. BBC. Retrieved 7 January 2008.
^ "Vol 10, No 6". This Week in Doctor Who. Doctor Who News Page; Internet Archive. Archived from the original on 9 February 2007. Retrieved 7 January 2008.
^ "Nippon 2007 Hugo Nominees". World Science Fiction Society. Retrieved 29 March 2007.
^ "2007 Hugo Awards". thehugoawards.org. World Science Fiction Society. 1 September 2007. Retrieved 1 September 2007.
^ Susanna Lazarus (25 June 2014). "David Tennant and Billie Piper's Doctor Who goodbye voted greatest sci-fi scene ever". Radio Times. Retrieved 28 June 2014.
^ "Doctor Who 'Doomsday' Scene With David Tennant, Billie Piper Voted SFX's Greatest Sci-Fi Scene Ever - Who Else Triumphed?". The Huffington Post. 25 June 2014. Retrieved 28 June 2014.
External links
 | Wikiquote has quotations related to: "Doomsday" |
Doomsday on Tardis Data Core, an external wiki
- TARDISODE 13
- Episode trailer shown at the end of "Army of Ghosts"
Episode commentary by Russell T Davies, Julie Gardner and Phil Collinson (MP3)- "Doomsday" episode homepage
"Doomsday" at the BBC Doctor Who homepage
"Doomsday". Outpost Gallifrey. Archived from the original on 1 July 2008. Retrieved 19 October 2018.
"Doomsday" at TV.com
"Doomsday" on IMDb
